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Grade: B
127 Hours is a horrific yet uplifting film that depicts the fragility of the “one-man army” mindset of human and how the possession of valiance can overcome personal flaws. Coming from an award winning Slumdog Millionaire, director Danny Boyle returns with a film based on the true story of Aron Ralston, a mountain climber who was forced to amputate his arm after his arm had been trapped by a boulder. Portrayed by James Franco, the film recreates Ralston’s “127 hours” of isolation and how he was able to survive by expressing self-control and personal motivation.
Danny Boyle’s film, in my opinion, surpasses his somewhat overrated Slumdog Millionaire, due to the fact that Boyle tried to break limits without losing the reality of the story, something that was flawed in his previous effort. But drawing from the success of his Slumdog, Boyle uses the same brilliant style of cinematography within this film. This aspect of the film provides a modern essence to the film and adds a fast-pace to an otherwise lengthy story. Comparisons set aside, 127 Hours is a brilliant film that can stand alone from its directorial background.
The build-up of pressure and suspense essentially drives the film. At first glance, 127 Hours’s task to create an interesting experience from a single setting and character would seem too daunting. But Boyle is able to set the momentum through flashblacks and personal insights; but because of the restrained limit of the story, the engagement of the film experiences its own monotonous flaws. The film relies on pressure, and that is formed by the audience’s connection with Franco and the urgency of the character’s fate. James Franco’s (who turned down a role in Inception for this film) character is practically the sole individual of the film, yet he makes no mistakes. Franco is able to integrate a subtle breakdown while able to suffice restraint, creating emotion that the audience attaches itself to.
127 Hours is an outstanding film that is emotional up to its final conclusion. The final scene is one of the more memorable scenes I have seen this year, as it is a rupture of sentiment that is built up by the whole film. Even though at times it has its moments of repetitiveness, Boyle’s film is one of this decade’s landmark due to the fact that it was able to create an emotional roller coaster from an one-angled story. Grade: B
